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Course Planning by Program

2026-27

Essential Objectives

Course Syllabus


Revision Date: 23-Dec-25
 

Spring 2026 | HUM-2200-VP01 - Art & Culture in a Diverse United States


In Person Class

Standard courses meet in person at CCV centers, typically once each week for the duration of the semester.

Location: CCV Workforce/Off Campus
Credits: 3 (45 hours)
Day/Times: Tuesday, 04:00P - 07:00P
Semester Dates: 01-27-2026 to 05-05-2026
Last day to add this section: 02-03-2026
Last day to drop without a grade: 02-08-2026 - Refund Policy
Last day to withdraw (W grade): 03-29-2026 - Refund Policy
This course has started, please contact the offering academic center about registration
Comments: NSCF students ONLY

Faculty

Heath Fuller
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Sarah Maguire

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
Arts and Aesthetics
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

This interdisciplinary course offers the opportunity to re-examine 19th-21st century art and culture in the United States through the lens of postcolonial and anti-racist thought. Students examine how a Eurocentric worldview has shaped ideas and concepts of value and beauty. Students explore the value, quality, influence, and integrity of the artistic and cultural expressions of Native American and African American communities and of Americans from immigrant and refugee backgrounds. The course examines short fiction, poems, essays, visual art, and music to see how individual artists and thinkers deliberately tackle and seek to dismantle racist and Eurocentric ways of thinking and seeing.


Essential Objectives

1. Define important terms such as colonialism, postcolonialism, neocolonialism, ethnocentrism, racism, and antiracism.
2. Identify how power structures and systems of thought have shaped perceptions of art and culture.
3. Identify the ways that colonial and ethnocentric perspectives have shaped ideas of beauty and quality to deliberately exclude and denigrate non-European ideas of beauty and quality.
4. Discuss the effect of colonization and systemic racism on the arts and cultures of Native American, African American, and immigrant communities and individuals.
5. Identify the ways that individuals and communities demonstrate resilience, flexibility, and agency through art and culture.
6. Examine how particular art/cultural objects may project a specific, inaccurate, or limited image of a culture.
7. Evaluate how interacting with cultural/art objects through different perspectives can bring about a perceived loss or gain in one’s identity when the lens changes.
8. Critically read, view, analyze, and evaluate selected works as they relate to postcolonial and antiracist thought.
9. Examine the historical, social, economic, political, and cultural circumstances that surround the creation of art.
10. Critically view and analyze short fiction, poems, essays, visual art, music, and elements of culture that overturn and dismantle the colonial narrative.


Required Technology

More information on general computer and internet recommendations is available on the CCV computer recommendations Support page.

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources

HUM-2200-VP01 Link to Textbooks/Resources Information for this course in eCampus.

The last day to use a Financial Aid Advance to purchase textbooks/books is the 3rd Tuesday of the semester. See your financial aid counselor at your academic center if you have any questions.


Methods

  • Lectures
  • Readings & Other Materials
  • In Class Videos and Pocasts
  • In Class Discussions and Small Groups
  • Art Reflection Essays
  • Journals

Evaluation Criteria

  • Participation (45 points)

  • Reflection Essays (25 points)

  • Dialogue Journals (20 points)

  • Check In Journals (10 points)


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Beginnings, Questions, Expectations

    

View:Welcome to the Course,Expectations, and Resources for the Course.

Discussion:Introductions and Questions

Lecture: A Colonial Aesthetic

 

2

Overview of Terms and Meanings and Power Structures in Art and Culture

  

Read: “A True Picture of Black Skin” by Teju ColeColonialism Made the Modern World. Let’s Remake Itby Adom GetachewThe Role of Art in Decolonisationby Cassie Lynch

  

Discussion:Why does the study of decolonization matter? How are we seeing with white eyes?

Due: Discussion Prep; Check-In Journal 1

 

3

African Heritage/American Experience

  

Read: “The Influence of Africa on U.S. Culture” (NEA Arts Magazine);Henry Ossawa Tanner, The Banjo Lesson(Smarthistory);“The Hood Doesn’t Hate Smart People” by Mikki Kendall;A Short Guide to Writing About Art, Chapter 1

Lecture: Black American Experience and Influence

View In Class:Henry Ossawa Tanner, The Thankful Poor;Kehinde Wiley, Rumors of War;Alfred Conteh, Our Greatest Inheritance

  

Discussion:African Heritage and Multiplicity of American Experience (Challenging the “myth of monolithic Blackness”)

Due: Discussion Prep

 

4

New York Artists: The Harlem Renaissance to Civil Rights

  

Read: “Sweat” by Zora Neale Hurston; “Previous Condition” by James Baldwin,A Short Guide to Writing About Art, Chapter 2

View In Class: Jacob Lawrence:Migration Series&Ambulance Call;Romare Bearden, Three Folk Musicians

Lecture: Seeking Justice: The Influence of Artistic Voice

  

Discussion:Representation and Becoming: Assimilation and “Authenticity” in Language and Art

Due: Discussion Prep; DialogueJournal1

 

5

Hip Hop & House

  

Read:“Herc: The New Cool in the Bronx”;A Short Guide to Writing About Art, Chapter 3

View In Class:Hip hop, grit, and academic success: Bettina Love at TEDx; “How Burning the Bronx Led to the Birth of Hip Hop

Lecture: Black Voices Rising: Art from the Ashes

  

Discussion:How do Hip Hop and House help build a resilient community?

Due: Discussion Prep

 

6

Latin@ Latinx/Chican@ Chicanx Art and Culture in America

  

Read:“Latin American art: an introduction”(Smarthistory); Selection ofLatinx Poetry;A Short Guide to Writing About Art, Chapter 4

View in Class: ‘Chicano art is American art’;Mel Casas, Humanscape 70 (Comic Whitewash)

Lecture: Why Latin@/Chican@ Art and Culture is More American than Apple Pie

  

Discussion:Cultural Heritage and Activism

Due: Discussion Prep; Check-In Journal 2

 

7

Abenaki History, Material Culture, and Conflicts

  

Read:“Dispute over Abenaki identity in Vermont grows more entrenched” by Shaun Robinson; “The myth of Native American extinction harms everyone” by Mali Obomsawin;A Short Guide to Writing About Art, Chapter 9

Listen In Class: “Love And Blood Quantum”(Code Switch)

Lecture: Abenaki Heritage & Contemporary Issues

  

Discussion:Conflicts and Quantum: The Problem of Cultural Revival in the Wake of Colonial Genocide

Due: Discussion Prep; Dialogue Journal 2

 

8

Indigenous Arts: Living Artistic Tradition & The Powwow

  

Read: “The Sound of the Drum Will Revive Them and Make Them Happy”by Clyde Ellis;

Cannupa Hanska Luger Is Turning the Tables on the Art Worldby Joshua Hunt;A Short Guide to Writing About Art, Chapter 10

View:New World Rising(Kanopy);Jaune Quick-to-See Smith, State Names;Wendy Red Star, 1880 Crow Peace Delegation

Lecture: Indigenous Arts & The Powwow Circuit

  

Discussion: How do Powwows and Contemporary Native Artists build, preserve, and heal American culture?

Due: Discussion Prep

 

9

Immigration Bricolage: The Wealth of Cultural Pluralism

  

Read:“The Paper Menagerie” by Ken Liu; “1000-Year-Old Ghosts” by Laura Chow Reeve;Migration and settlement in the U.S. (Smarthistory)

View In Class:Objects of Comfort: Your Story, Our Story(Tenement Museum);Glendalys Medina, Atabey

Lecture: Inside the Immigrant Experience

  

Discussion:How has immigration enriched and shaped American art and culture?

Due:Discussion Prep; Reflection Essay 1

 

10

Immigration Spotlight: Asian American Art in America

  

Read: “Repairing Generations of Trauma, One Lotus Flower at a Time” By Elizabeth Diasand“The Beautiful, Flawed Fiction of ‘Asian American’” by Viet Thanh Nguyen;A Short Guide to Writing About Art, Chapter 12

View In Class:Ruth Asawa, Untitled;Masami Teraoka, American Kabuki

Lecture: From Internment to today: Prejudice and Resiliency

  

Discussion:How can art help us untangle the complex history of the Asian American experience?

Due: Discussion Prep; Check-In Journal 3

 

11

Immigration Spotlight: Sikh and Muslim Art in America

  

Read: “How to Feed Crowds in a Protest or Pandemic? The Sikhs Know” (NYT);Islam in America(Pluralism Project);Shahzia Sikander, Pleasure Pillars(Smarthistory)

View:Sikhs in America;Shirin Neshat, “Dreams Are Where Our Fears Live”;

Lecture: Roots of Orientalism and Objects of Cultural Identity

  

Discussion:How can we deconstruct the idea of the “other”?

Due: Discussion Prep; Dialogue Journal 3

 

12

Food Sovereignty: Foodways and Art

  

Read:Uprooting Racism: Seeding Sovereigntyby Leah Penniman;“Chasing Seeds: The Story of Vermont’s Forgotten Abenaki Food System” by Frederick M. Wiseman

View:Gather(Kanopy)

Lecture: History of land and food dispossession & Restoring Sovereignty

  

Discussion:What does true food sovereignty mean?

Due:Discussion Prep; Reflection Essay 2

 

13

Contemporary Strategies

  

Read:The National Memorial for Peace and Justice(Smarthistory)

View:Between the World and Me(Films on Demand)

Lecture: Art that pushes us towards Justice

  

Discussion:How can art be an effective tool for reclaiming the narrative?

Due: Discussion Prep

 

14

Final Thoughts and Student Assignment Share

  

Lecture:Final Thoughts

  

Prepare:Prepare to present one of your assignments to the class

Discussion:Concluding thoughts and Imagining the Future

 

15

No Week 15 in CPSEI courses

    
 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

You will be expected to participate in all discussions and small groups.Come to class each day with one question and one thought about the material, as well as prepared responses to the discussion prompt.CCV values a safe and respectful learning environment. Please take the time to understand and acknowledge the ideas and opinions of others before responding respectfully.



Missing & Late Work Policy

All assignments are due on the day that they are listed as due.Anything received in the following two weeks will be considered late.Unless you have made a special arrangement with me, assignments that are turned in late will lose five points per week and will not be accepted after they are two weeks overdue.Assignments that are not submitted within two weeks of their due date will receive a zero.Please reach out if you need support. We’reon the same team.

Because life is challenging, I understand that deadlines might not always be met. But, you’re in luck. We're on the same team. Late submissions will be accepted with a penalty for one week after the assignment is due. Don’t want the penalty? Here’s an incentive. If you recognize a due date might be a problem, advocate for your success by following these steps:

1. Identify the problem

2. Contact me to propose a solution

3. Let’s negotiate


Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/student-support/accessibility-services/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.

Apply Now for this semester.

Register for this semester: November 3, 2025 - January 16, 2026