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Essential Objectives

Course Syllabus


Revision Date: 11-Aug-24
 

Fall 2024 | HUM-2090-VO01 - The Apocalypse in Culture, Literature, and the Media


Online Class

Online courses take place 100% online via Canvas, without required in-person or Zoom meetings.

Location: Online
Credits: 3 (45 hours)
Day/Times: Meets online
Semester Dates: 09-03-2024 to 12-16-2024
Last day to drop without a grade: 09-16-2024 - Refund Policy
Last day to withdraw (W grade): 11-04-2024 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Collin Lee
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Candace Lewis

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
VSCS Humanistic Perspectives
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

In this course, students explore apocalyptic stories in mythology, religion, literature, and pop culture. Through the close study of myths, novels, short stories, films, television shows, and games from around the world, students examine common themes and explore why ancient stories about the end of the world continue to have relevance today.


Essential Objectives

1. Describe and discuss the defining characteristics of apocalyptic myths and stories.
2. Trace the origins of end-of-the-world stories in mythology and religion and examine commonalities between apocalyptic stories from various world cultures and religions, including Abrahamic, Mesoamerican, Norse, Native American, and others.
3. Discuss how the belief that the end of the world is imminent has influenced the actions of various groups, such as religious and environmental, and helped shape the course of human history.
4. Compare and contrast apocalyptic stories in literature, film, and video games and analyze them for common themes and concerns relevant to contemporary culture.
5. Examine current references or characterizations to apocalyptic themes around the world.
6. Analyze the origins of apocalyptic stories and examine the assumptions, concerns, and critiques of the contemporary culture that led to their creation.
7. Identify the critiques of culture and society at the root of apocalyptic stories and explore how these stories may demonstrate the need for social change.


Required Technology

More information on general computer and internet recommendations is available on the CCV IT Support page. https://support.ccv.edu/general/computer-recommendations/

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources


*** This is a low cost ($50 or less) textbook or resource class. ***

This course uses one or more textbooks/books/simulations, along with free Open Educational Resources (OER) and/or library materials.

Fall 2024 textbook/book details will be available on 2024-05-20. On that date a link will be available below that will take you to eCampus, CCV's bookstore. The information provided there will be specific to this class. Please see this page for more information regarding the purchase of textbooks/books.

HUM-2090-VO01 Link to Textbooks for this course in eCampus.

For Open Educational Resources (OER) and/or library materials details, see the Canvas Site for this class.

The last day to use a Financial Aid Advance to purchase textbooks/books is the 3rd Tuesday of the semester. See your financial aid counselor at your academic center if you have any questions.


Artificial Intelligence(AI) Policy Statement

CCV recognizes that artificial intelligence (AI) and generative AI tools are widely available and becoming embedded in many online writing and creative applications.

Allowed: This course's generative AI policy acknowledges technology, including generative AI, plays a supportive role in learning and feedback. During our class, we may use AI writing tools such as ChatGPT in certain specific cases. You will be informed as to when, where, and how these tools are permitted to be used, along with guidance for attribution. Any use outside of these specific cases constitutes a violation of CCV's Academic Integrity Policy.

In this class, I am interested in YOUR thoughts and ideas, not those generated by Artificial Intelligence. In fact, there is a whole week of this course dedicated to ways in which technology and AI might take over everything and wipe us off the planet, so I am a strong believer in not handing the reins over to Skynet by letting AI do our thinking for us.

That being said, AI is here and is here to stay. I can either get on board with the idea that AI will increasingly be utilized in every aspect of our lives, including academics, or I can be the equivalent of the old man shaking his fist and ranting about how phonographs or automobiles or calculators or television or whatever is going to cause the downfall of humanity. I would also like to go on the record right now as stating that I, for one, welcome and am happy to serve our new synthetic overlords so when the inevitable robot uprising finally happens I won't be among the first they round up and turn into organic batteries to power their cold, metallic hearts.

With this in mind, in this class, we will explore how AI can be used as a tool for research and organization, and help us organize our thoughts more efficiently. What we will NOT do is use Generative AI to write papers, discussion posts, or other assignments for us. AI-generated papers are a form of plagiarism, period, and I will be able to tell if you use AI to write your work for you. Using AI to generate ideas, clarify confusing information, aid in research, or help organize your thoughts is an appropriate use of AI, but you cannot let it do your thinking or your writing for you. Any AI-generated work will be treated as plagiarized work and given a zero, but if you are transparent with how you are using AI and integrating it into your writing process rather than having it do your work for you, this is perfectly acceptable. We will be discussing and exploring in class how to use AI as a tool to make us better writers and scholars rather than letting AI do our work for us.



Methods

This course is designed to examine why the concept of "The End of the World" continues to have such a lasting significance, in religion, literature, film, and the media, and how individuals conceive of their relationship with society and the earth in the real world. Since the earliest complex societies, humanity has questioned their continued survival on the planet, whether our species deserves to maintain dominance over the earth, and what Earth might look like after human civilization has failed. Each week of this class, opportunities to read, reflect, and discuss will be provided. Over the course of the semester, students will have opportunities to choose unique examples of Apocalyptic mythology, literature, or media to research and present to the class. They will also be allowed to exercise their creativity as they examine how modern society might fail and what role (if any) humanity will have in Earth's continued existence after the fall of a complex global human civilization. Are humans the designated masters of the Earth, destined to shape its destiny regardless of the rise and fall of our current global civilizations, or are we merely the most recent upstart dominant species, destined to rise, fall, and disappear into the unimaginably vast history of life on planet Earth as a brief footnote in the multi-billion-year history of our planet? In their final projects, students will be asked to speculate about what the ultimate downfall of human civilization will be, and what will come after.


Evaluation Criteria

I. Discussion Forums (40% of the final grade): The meat and potatoes of any online class are the weekly discussion forums, and this class is no exception. These discussion forums replace the in-class discussion and interactions between students, their peers, and the instructor in a traditional classroom setting. This is where you will get to demonstrate to the instructor and the class at large what you have taken away from each week’s reading and assignments, as well as to engage in meaningful discussions of the material with your classmates. Each week, you will be required to: a) post a response to one of the instructor’s questions; b) post a thoughtful question about the week’s reading assignment; and c) respond to at least one of your fellow student’s questions and/or comment on their response to the instructor’s questions.

In your original response, I will expect to see:

  1. a demonstration of critical thinking.
  2. specific references to the reading.
  3. reference to how this week’s material connects to previous weeks’ material and the topic as a whole.
  4. original thoughts and ideas.
  5. references to at least one independently acquired outside source, when pertinent or directed.
  6. proper English written in complete and coherent sentences.

Each student’s initial discussion posts and questions will be due by Thursday night each week but are encouraged to be posted as early as possible so that the other students will have the time to read and respond to them. These responses must be posted no later than Saturday night so that they can be read and perhaps responded to by the end of Monday (our last day of each week’s class).

Points will automatically be deducted for late work unless the student has contacted me ahead of time and arranged to turn in their work late. If this process becomes problematic and late posts become the standard instead of the exception, I will announce a zero-tolerance policy for late work, and all late work will receive zeros from then on. This is not my preference; I prefer to be accommodating whenever possible, and I know we all have lives.

II. Connection Journals (20% of the final grade): In addition to weekly discussions, you will have the opportunity tojournalthroughout much of the course. These journals will be focused on the essential skill of “making connections.” You will be writing about how different aspects of the course relate to one another (readings, class discussions, videos, instructor feedback, outside research, etc.); about why the End of the World continues to fascinate us culturally; how the central ideas of the themes we are discussing connect to your own life; about how what you are learning in this course may be connecting to what you are learning in other courses or previous courses; and about the connections that you make that relate to the real world circumstances of your past, present, or future personal or professional lives. The key ingredients I will be looking for are the density of connections and good writing. Your job is to tell me what you are learning that I may not have set out to teach and to make yourself and me think. These Connection Journals are due by Monday night each week at the very latest. I will provide suggested journaling topics for each week that are pertinent to the themes or questions we will be discussing during that particular week, but you are always welcome and encouraged to come up with your own journal topics.

III. Independent Research Reports (20% of the final grade): There are far too many apocalyptic or "end of the world" books, stories, historical communities, films, video games, and other forms of media for us to be able to tackle anywhere close to all of them in a single semester. Therefore, rather than trying to create a reading list that we will all adhere to throughout the semester, each of you will also have the opportunity to pick an example from each literary subcategory and report back to the group about it. So while we will all read as a group the common myths, stories, short stories, and other materials, covering examples of our species' obsession with the end of the world, each student will have the opportunity to choose one work of religion or mythology, one work of apocalyptic fiction, one film or video game, and research one real-world historicapocalyptic cult, society, or movement to report on to the class.

A rubric will be provided to ensure that you cover all the essential material and elements in your summary and discussion of your chosen work. Your adherence to the rubrics provided for each topic will determine your final score for that particular week.

IV. Student Designed Post Apocalyptic Society (20% of the final grade): In addition to the more formal and analytical writing you will be exercising in your weekly posts and responses, your Connection Journals, and your independent research reports, you will also have the opportunity to explore the boundaries of the topic by designing your apocalyptic society. You will develop the structure of this society by determining what caused the downfall of this society, what comes after the collapse, and the ultimate fate of the earth after the collapse of this society.

The actual format that you chose to inform us about your apocalyptic or post-apocalyptic society is up to you. If you just want to write a factual “report” on your society, that is up to you, so long as you provide all of the elements required to satisfy the parameters of the assignment. If you chose to create your unique society as a work of creative fiction, that is also fine, so long as you meet the same parameters. Rubrics will be provided to make sure that you address all of the essential elements necessary for this assignment, but beyond satisfying all of the criteria, the form that your collapsing or emerging society takes will be up to you. You will be working on these designed cultures all semester, so by the end of the semester, they should be adequately complex, thoughtful, and detailed.

Important Note About Evaluation Criteria: The most important thing to remember is that I will make every effort to help you not only succeed at this class, but also to excel. Wherever possible I have tried to include multiple options in assignments so that you always feel like you are doing something relevant and interesting to demonstrate your learning. If something doesn’t make sense, if you are ever feeling overwhelmed by this class or events in your life, or if you can't log in and meet your deadlines for a particular week, tell me. I will make every effort to clarify the cloudy, help you with strategies to shoulder your workload and figure out ways to make sure that you can get everything you need out of this class. Never hesitate to email or phone if you need help. I will make every reasonable effort to help each and every one of you excel, dependent only on the time and effort you are willing to put in.


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Week 1: Introduction to Apocalyptic Themes

  

Excerpts from the Book of Revelations, The Norse Poetic Eddas, the Mayan Popul Vuh, and other religious and mythological texts.

  

In this first week, we will be introducing ourselves and our interests, as well as engaging in an overview of the course and its key concepts, including the historical origins of apocalyptic stories and thoughts.

Assignments:Minimal reading, participation in the Introductory Discussion Forums, and discussion of the course and its key concepts. We will also be engaging in discussion about Academic Honesty and Plagiarism, as well as exploring how we can use Generative AI as a tool to aid in writing and research rather than using it to replace our original contributions.

 

2

Week 2: Previous Religious and Mythological Apocalypses

  

Selections from The Epic of Gilgamesh, Mayan, Aztec, and other Native flood narratives, as well as excerpts from the Bible, Quran, and other religious texts.

  

This week we will be looking at the earliest stories about the End of the World and Apocalyptic themes from various religious and mythological texts, including variations on the myth of the Great Flood from civilizations all over the world, as well as other cyclical myths of the destruction and rebirth of human civilization from various cultures.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the first Weekly Connection Journal Entry. Students will also be asked to choose one religious or mythological apocalypse story to research, analyze, and present to the class in Week Five.

 

3

Week Three: Ragnarok- the "Twilight of the Gods"

  

Readings from the Norse Poetic Edda, as well as materials prepared by the instructor to explore Ragnarok, the epic Norse version of the End of the World.

  

This week we will be talking about Ragnarok, the Norse Twilight of the Gods, in which the world, along with the sun, the moon, and all the gods are destroyed by monstrous forces in the Last Battle. Ragnarok is getting special attention because Ragnarok was central to Norse religion and culture, as every aspect of their lives was dedicated to making themselves ready to fight in the Last Battle.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

4

Week Four: "Behold, a Pale Horse"- The Four Horsemen of the Apocalypse and the Book of Revelations

  

We will be reading and analyzing the Book of Revelations from the Christian Bible and other Middle Eastern religious traditions, as well as reading and materials on the subject prepared and provided by the instructor.

  

Like Ragnarok, the Book of Revelations from the Bible will get special attention, as it has been the focus of so much apocalyptic media, including books, TV shows, movies, video games, music, art, and various other forms of media.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

5

Week Five: Student Reports on Apocalyptic Myths and Traditions

  

This week students will be reading reports researched and prepared by their classmates.

  

This week students will be presenting reports that they researched and wrote on an apocalyptic tradition from various mythologies, religions, and cultures from all over the world, as well as reading and discussing the reports presented by their peers.

Assignments:Complete and present your First Student Report, participate in discussion with your peers about their reports, and complete your Weekly Connection Journal entry.

 

6

Week Six: Mary Shelly and the birth of Apocalyptic Literature

  

Read the introduction to "Wastelands: Stories of the Apocalypse", edited by John Joseph Adams, as well as reading and viewing from modules prepared by the instructor.

  

This week we will be discussing Mary Shelley's "The Last Man",the first apocalyptic novel, as well as the flood of "Last Man" stories from writers and philosophers inspired by her work. Shelley was the first writer to separate the concept of the "End of the World" from its religious origins, imagining the end as an environmental collapse and plague rather than a prophetic religious judgment. This marks the point at which authors started to use apocalyptic themes as a form of social commentary rather than as a religious screed.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry. Additionally, students will be asked to choose an apocalyptic novel to read and report to the class on during Week Eleven.

 

7

Week Seven: Pandemics, Plagues, and Other Biological Apocalypses

  

Read modules and watch videos prepared by the instructor. In addition, read "The End of the Whole Mess" by Stephen King, "Dark, Dark Were the Tunnels" by George R.R. Martin, and "When Sysadmins Ruled the Earth" by Corey Doctorow in the "Wastelands"anthology.

  

This week we will be discussing apocalyptic stories and media in which global pandemics, both natural and man-made lead to the downfall of humanity. Mary Shelley'sThe Last Man imagines such an end for humanity, as do other famous apocalyptic stories, including George R. Stewart's "Earth Abides",Stephen King's "The Stand",Michael Crichton's "The Andromeda Strain", and Emily St. John Mandel's "Station Eleven",to name but a few. We will also be talking about apocalypses caused by earthquakes, supervolcanos, and asteroid strikes, such as Larry Niven and Jerry Pournelle's "Lucifer's Hammer",and disaster films such as "Deep Impact".

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

8

Week Eight: War and Nuclear Armageddon

  

Read modules and watch videos prepared by the instructor. In addition, read "Salvage" by Orson Scott Card, "The People of Sand and Slag" by Paolo Bacigalupi, and "Bread and Bombs" by M. Rickert in theWastelandsanthology.

  

This week we will be discussing apocalyptic stories and media centered around war and nuclear armageddon. Robert McCammon's epic novel "Swan Song", Nevil Shute's "On the Beach", Pat Frank's "Alas, Babylon", Walter M. Miller Jr.'s "A Canticle for Leibowitz", Robert C. O'Brian's "Z for Zachariah", Dmitry Glukhovsky's "Metro 2033", and Cormac McCarthy's Pulitzer Prize-winning "The Road" all fall under this category. We will also be talking about films, TV shows, video games, comics, and other media in this category, especially the Fallout video game and TV franchise, the original Planet of the Apes series (the new ones technically fall under the "plague" heading), and the "Jericho" TV series.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

9

Week Nine: The Book of Machines- Death by Robots, Machines, and AI

  

Read modules and watch videos created by the instructor, as well as selected films, TV shows, and video games, if they are available to you. Additionally, you will be asked to read "The Machine Stops", by E.M. Forester, which will be made available to you in the Canvas classroom.

  

This will be a more media-heavy week, as the apocalyptic themes we will be exploring started in literature but were more thoroughly explored in movies, television, and video games. The idea that technology might eventually make humanity obsolete and reverse the relationship between Man and Machine started in Samuel Butler's 1872 dystopian novel "Erewhon" ("Nowhere" backward, kind of), but was later expanded on by authors such as HG Wells ("The Time Machine", "The War of the Worlds"), EM Forrester ("The Machine Stops"), and Arthur C. Clarke ("I, Robot"). The idea gained momentum in the early 1980s with the explosion of technological innovations that rendered humanity increasingly obsolete in films like "The Terminator" (1984), "Bladerunner" (1985), and "I, Robot" (2004), TV shows like "Battlestar Galactica" (2004-2009) and "West World" (2016-2022), and video games such as the "Mass Effect" series (2007-present), the "Horizon" series (2017-present), and "Detroit: Become Human" (2018).

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

10

Week Ten: Vampires, Zombies, Demons, and Extraterrestrials, Oh My!

  

Readings this week will include modules and videos created by the instructor, as well as the short stories "The End of the World as We Know It" by Dale Bailey, "Judgment Passed" by Jerry Oltion, "Mute" by Gene Wolfe, and "Episode Seven: Last Stand Against the Pack in the Kingdom of the Purple Flowers" by John Langan, all in the "Wastelands" Anthology.

  

This week's readings and discussions will center around apocalypses caused by supernatural forces or entities such as vampires (Richard Matheson's "I Am Legend"), zombies (George Romero's "Night of the Living Dead" series, Robert Kirkman's "The Walking Dead", Naughty Dog's "The Last of Us", etc.), demons (Brian Keene's "The Rising" or "Dead Sea", which are also technically zombie stories as well), and other supernatural or extraterrestrial origins.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

11

Week Eleven: Silent Spring: Environmental Collapse

  

For this week, we will be reading modules and videos created and provided by the instructor, as well as "The World Without Us" by Alan Wiseman.

  

Apocalyptic environmental stories have become a significant genre in both literature and media, reflecting society’s growing concerns about ecological crises. These narratives often depict a world ravaged by climate change, natural disasters, or human-induced environmental collapse, serving as a stark warning of potential futures. Classic novels like John Wyndham’s “The Day of the Triffids” and contemporary works such as Margaret Atwood’s “Oryx and Crake” explore the devastating impacts of environmental neglect and technological hubris. In film and television, eco-dystopian themes are prevalent in productions like “The Day After Tomorrow” and “Snowpiercer,” which visualize the catastrophic consequences of climate change.These stories not only entertain but also provoke critical thinking about our current environmental policies and behaviors, urging audiences to consider the ethical and practical steps needed to avert such dystopian outcomes.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

12

Week Twelve: Student Reports on Apocalyptic Novels

  

This week students will be reading reports researched and prepared by their classmates.

  

This week students will be presenting reports that they researched and wrote on an apocalyptic novel of their choice, as well as reading and discussing the reports presented by their peers.

Assignments: Complete and present your Second Student Report, participate in discussion with your peers about their reports, and complete your Weekly Connection Journal entry. Additionally, you should choose a piece of post-apocalyptic media, either a film, TV show, comic series, or Video Game Series to report on to the group in Week Fourteen.

 

13

Week Thirteen: Post-Apocalyptic Survival

  

In addition to readings and other materials from the weekly modules and videos, students should read "Speach Sounds" by Octavia Butler and "Salvage" by Orson Scott Card.

  

This week we will be focusing on post-apocalyptic societies and how people will adapt to societies built after the fall of civilization. Films, TV shows, and Video Games that focus on these themes include the "Road Warrior/Mad Max" series, the "Planet of the Apes" franchise, Cormac McCarthy's "The Road", the "Fallout" TV and video game franchise", and the new "Deadpool and Wolverine" film, to name but a few.

Assignments:Reading and viewing of materials, participation in the weekly Discussion Forums, and completion of the Weekly Connection Journal Entry.

 

14

Week Fourteen: Student Reports on Apocalyptic Films, TV Shows, Comics, and Videogames

  

This week students will be reading reports researched and prepared by their classmates.

  

This week students will be presenting reports that they researched and wrote on an apocalyptic film, TV show, Comic series, Video Game, or other multimedia source.

Assignments: Complete and present your First Student Report, participate in discussion with your peers about their reports, and complete your Weekly Connection Journal entry.

 

15

Week Fifteen: Farewells and Student Final Projects

  

There are no official readings for this week, other than completing all reading and research for the final projects.

  

This week student will be presenting their final research projects or creative Post-Apocalyptic synthesis projects, as well as engaging in final Discussion Forums about their work and the work of their peers in a Final Discussion Forum.

Assignments:Complete and present your final research project or creative mind experiment, as per the syllabus. This week's assignments require the students to participate in discussions with their peers about their reports and create original writing for the Final Research Project/ Creative Endeavor.

 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Each student’s initial discussion posts and questions will be due by Thursday night at midnight each week but are encouraged to be posted as early as possible so that the other students will have the time to read and respond to them. These initial posts should be a minimum of 2-3 substantial paragraphs long- aim for about the equivalent of a full page in a word document.

In addition, each student is required to meaningfully respond to the work of at least two of their classmates by no later than Saturday night at midnight and to try to keep up the thread of any discussions that result from their initial posts or their responses. Keep in mind that two responses are considered the minimum, and the more often and meaningfully you post, the better your discussion grade will be.

The hope is that these forums will mimic the in-class discussions that take place in a traditional classroom setting, in which students and the professor engage in natural conversations about the material being presented, and as such continue until those conversations are concluded. Imagine being in a classroom, engaged in a heated conversation about politics or religion, when suddenly everyone stops talking because they have expended their minimum number of required responses for the week. The more you engage with the material we are discussing, the better your grade for participation in the discussion forums will be.

These responses must be posted no later than Saturday night at midnight so that they can be read and perhaps responded to by the end of Monday (our last day of each week’s class). When choosing posts to respond to, posts that haven't received any comments or questions yet should be given preference so that everyone's work gets the time and attention they deserve.

Finally, each week by no later than Monday night at midnight you should also complete your weekly Connection Journal entry. Like the initial discussion posts, these weekly responses should also be at least 2-3 substantial paragraphs and about a page of text in a word document, but are far less formal than the discussion forums, usually relating to feelings, emotions, and ideas rather than direct facts from the materials, and are meant to show that you are really thinking about our reading and discussions and making a connection between the material we are exploring and other aspects of your life. They really are open "journal entries", like a personal diary, and are expected to be informal, thoughtful, and personal- the only people who will see them will be you and me, and I don't judge. Each week I will give a handful of suggestions about what you might talk about based on the material we are discussing or where we are as a class, but in the end, the topic is really up to you, so long as it relates to apocalyptic themes, the reading and media you are engaging with, or the assignments for the course. As with the other assignments, I will provide full details in the Weekly Connection Journal Assignment itself, as well as a rubric.



Missing & Late Work Policy

Each student’s initial discussion posts and questions will be due by Thursday night at midnight each week but are encouraged to be posted as early as possible so that the other students will have the time to read and respond to them. These responses must be posted no later than Saturday night at midnight so that they can be read and perhaps responded to by the end of Monday (our last day of each week’s class). Connection Journal assignments are due by midnight on Monday each week, as are the Final Research Project assignments in the weeks that they are due.

Points will automatically be deducted for late work unless the student has contacted me ahead of time and arranged to turn in their work late. I will not accept any work that is more than two weeks late unless a prior arrangement has been made or if the student is facing exceptional circumstances.


Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.