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Essential Objectives

Course Syllabus


Revision Date: 25-Nov-25
 

Spring 2026 | ENG-2310-VO01 - Perspectives on Shakespeare


Online Class

Online courses take place 100% online via Canvas, without required in-person or Zoom meetings.

Location: Online
Credits: 3 (45 hours)
Day/Times: Meets online
Semester Dates: 01-27-2026 to 05-11-2026
Last day to add this section: 02-05-2026
Last day to drop without a grade: 02-08-2026 - Refund Policy
Last day to withdraw (W grade): 03-29-2026 - Refund Policy
Open Seats: 14 (as of 01-07-26 5:05 PM)
To check live space availability, Search for Courses.

Faculty

Kate Stauss
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Jennifer Gundy

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
Arts and Aesthetics
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

In this course, students will read sonnets, comedies, tragedies and historical plays for evaluation and critical insight. Students explore the cultural and historic context of Shakespeare’s work by examining the events and stories that inspired their creation. Students explore the ways these works have been adapted over time and examine their relevance in contemporary culture.


Essential Objectives

1. Describe the elements of Shakespearean drama in the context of Elizabethan England, its culture, history, politics, and language.
2. Identify some of the mythical, cultural, historical, and literary sources of Shakespeare's work.
3. Define the basic literary elements in the plays, such as theme, character, plot, conflict, exposition, foreshadowing, setting, symbolism, denouement, and unity.
4. Identify figurative uses of language in Shakespeare's work, such as irony, metaphor, imagery, and personification, and explain how these elements are used to express ideas, emotions, and values in his work.
5. Compare how Shakespeare's work was received in Elizabethan England versus how work may be viewed through a contemporary lens.
6. Analyze Shakespeare’s plays as texts and as live or recorded performances.


Required Technology

More information on general computer and internet recommendations is available on the CCV computer recommendations Support page.

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources


*** This is a no cost textbook or resource class. ***

This course only uses free Open Educational Resources (OER) and/or library materials. For details, see the Canvas Site for this class.


Artificial Intelligence(AI) Policy Statement

CCV recognizes that artificial intelligence (AI) and generative AI tools are widely available and becoming embedded in many online writing and creative applications.

Prohibited: The use of generative AI is not allowed in this course, with the exception of spellcheck, grammar check and similar tools. This course rests in the value of students engaging in the learning process without relying on AI-generated content. Students will develop critical thinking and problem-solving skills independently, owning their learning journey from start to finish. If you use these tools, your actions would be considered academically dishonest and a violation of CCV's Academic Integrity Policy.

Part of treating others with respect is giving appropriate credit for ideas and scholarly works. Shakespeare Studies have been conducted for four hundred years - that's four centuries of criticism. You are encouraged to investigate what scholars have written for a broader perspective on our work in this class, but when you use those ideas, you must attribute them, preferably in MLA format. Do not generate new content with prompt-based AI tools like ChatGPT without specific permission from the instructor.



Methods

Each week I will deliver a short, focused videotaped lecture on a particular aspect of the week's topic. Students can expect associated readings, screenings of scenes from plays, and interviews with scholars, directors and actors, as well as opportunities to extend their learning beyond required material.

Though this is a completely asynchronous online course, I believe in a robust classroom community and will be using instructional methods that encourage an engaged cohort including weekly Forums and small team "acting troupes."

I believe reflection is an essential element of learning, so students can expect a weekly "personal response" assignment as well.


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Wk 1. Tuesday, Jan. 27-He doth bestride the narrow world like a colossus

Introduction to Shakespeare Studies

  

Julius CaesarAct 1

  
 

2

Wk 2. Tuesday, Feb. 3-Et tu, Brute?

Reading like an Elizabethan: Blank verse and Figurative & Rhetorical speech

  

Julius CaesarActs 2 & 3

  
 

3

Wk 3. Tuesday, Feb. 10-O Julius Caesar, thou art mighty yet!

Shakespeare's Globe and the Invention of Modern Entertainment

  

Julius CaesarActs 4 & 5

  
 

4

Wk 4. Tuesday, Feb. 17-Say to all the world 'This was a man!'

Early Modern Perspectives on Gender

The Shakespearean Sonnet

Acting Groupsassigned

    
 

5

Wk 5. Tuesday, Feb. 24-I have that within which passes show

Hamlet: the smartest guy in the room

  

HamletActs 1 & 2

  
 

6

Wk 6. Tuesday, March 3-The lady doth protest too much

A nest of spies: Elizabethan England & Elsinore

  

HamletAct 3

  
 

7

Wk 7. Tuesday, March 10-The readiness is all

Shakespeare’s Acting Company

  

HamletActs 4 & 5

  
 

8

Wk 8. Tuesday, March 17-Midterm

Essay or Project Due Monday, March 15

    
 

9

Wk 9. Tuesday, March 24-Will on Film

  

Watch one of the recommended films and read supporting commentary.

  
 

10

Wk 10. Tuesday, March 31-Is all our company here?

The Elizabethan Cosmology - Saints and Sinners, Fairies and Men

  

A Midsummer Night’s DreamAct 1

  
 

11

Wk 11. Tuesday, April 7-Lord, what fools these mortals be!

What’s So Funny: The Art and Theory of Comedy

  

A Midsummer Night’s DreamAct 2 & 3

  
 

12

Wk 12. Tuesday, April 14-Give me your hands, if we be friends

Music, Set Design and Choreography in Early Modern Theater

  

A Midsummer Night’s DreamAct 4 & 5

  
 

13

Wk 13. Tuesday, April 21-Acting Group Products Due

Posted by Thursday, April 15 with Cohort Comments by Monday, April 19

    
 

14

Wk 14. Tuesday, April 28-The play is the thing

Student Choice: Soliloquies from Other Plays

    
 

15

Wk 15. Tuesday, April-Final Essay/Project DUE

    
 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Though we are online, this is a discussion based class, and Participation is 25% of your grade. Your active engagement is not only central to your own understanding of the material but to the group’s as a whole. Two factors demonstrate your participation grade:regular engagement in the discussion forumsandsubmission of work in a timely fashion.



Missing & Late Work Policy

I assess work based on its own virtues, not by whether it was turned in on time. In other words, your work will not have points taken off for late submission. However, if you are unable to submit work by the deadline, you must communicate to me VIA EMAIL AND PRIOR TO THE DEADLINE both why your submission is delayed and when you plan to submit it.

I reserve the right to grant or deny extensions for late work.

Your habits of work - like timely submissions - does impact your Participation grade.


Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.

Apply Now for this semester.

Register for this semester: November 3, 2025 - January 16, 2026