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Course Planning by Program

2025-26

Essential Objectives

Course Syllabus


Revision Date: 23-Jan-26
 

Spring 2026 | ENG-2120-VO01 - Creative Writing: Poetry


Online Class

Online courses take place 100% online via Canvas, without required in-person or Zoom meetings.

Location: Online
Credits: 3 (45 hours)
Day/Times: Meets online
Semester Dates: 01-27-2026 to 05-11-2026
Last day to add this section: 02-05-2026
Last day to drop without a grade: 02-08-2026 - Refund Policy
Last day to withdraw (W grade): 03-29-2026 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Seelai Karzai
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Heath Fuller

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
Arts and Aesthetics
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

Introduction to fundamental techniques of writing poetry including imitation, creation, adaptation of verse forms, control of meaning, language choice, and revision and polishing. Participants will be expected to contribute original work for study.


Essential Objectives

1. Analyze works of poetry in order to imitate, adapt, and further understand the craft.
2. Begin to analyze personal strengths and weaknesses.
3. Practice writing and revising poetry in a variety of verse forms.
4. Arrive at final drafts of their own work, based on preparation and consideration of numerous drafts.
5. Present poetry orally.
6. Employ and identify figurative uses of language such as image, metaphor, and personification, and poetic devices such as rhyme, sound, rhythm, and conscious word choice to inform the meaning of selected poems.
7. Submit a final portfolio of selected work which demonstrates a commitment to practice and revision.
8. Describe the cultural and historical context of selected works of poetry and explore the impact of global and/or cultural diversity on the development of the artform.


Required Technology

More information on general computer and internet recommendations is available on the CCV computer recommendations Support page.

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources


*** This is a low cost ($50 or less) textbook or resource class.
This class may require purchase of supplies or materials that are not available through the CCV bookstore. ***

This course uses one or more textbooks/books/simulations.

Spring 2026 textbook details will be available on 2025-12-01. On that date a link will be available below that will take you to eCampus, CCV's bookstore. The information provided there will be specific to this class. Please see this page for more information regarding the purchase of textbooks/books.

ENG-2120-VO01 Link to Textbooks for this course in eCampus.

The last day to use a Financial Aid Advance to purchase textbooks/books is the 3rd Tuesday of the semester. See your financial aid counselor at your academic center if you have any questions.


Artificial Intelligence(AI) Policy Statement

CCV recognizes that artificial intelligence (AI) and generative AI tools are widely available and becoming embedded in many online writing and creative applications.

Prohibited: The use of generative AI is not allowed in this course, with the exception of spellcheck, grammar check and similar tools. This course rests in the value of students engaging in the learning process without relying on AI-generated content. Students will develop critical thinking and problem-solving skills independently, owning their learning journey from start to finish. If you use these tools, your actions would be considered academically dishonest and a violation of CCV's Academic Integrity Policy.


Methods

This online class will involve a mix of the following:

  • discussion forums and activities
  • weekly reading and writing assignments
  • revisions
  • peer reviews/workshops
  • mini lectures
  • final portfolio of revised pieces

Textbooks:

  • The Discovery of Poetryby Frances Mayes
  • Other readings will be available on Canvas and online

Evaluation Criteria

40% - Portfolio: The portfolio consists of revised poetry pieces with post-writes as well as a reflective essay.

30% - Poem drafts, exercises, and journal assignments: Assignments include those that lead to completion of the portfolio.

30% - Discussion forums, attendance and participation: Regular attendance and participation are essential components of a student's success in college and are completion requirements for courses at CCV. Participation in online discussions is mandatory. Late, missing, and incomplete postings will negatively impact your final grade


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Introductions - Reading Like A Writer

  

Mayes Invitation (xi-xviii) & 1-24, 16-17, 20-21

"A Blessing" Wright, "Those Winter Sundays" Hayden, “Spring and All” Williams, “[A narrow Fellow in the Grass]” Dickinson

  
  • Discussion Forum 1: Introductions
  • Discussion Forum 2: Reading Like a Writer
  • Journal: Letter to Instructor and Secret Worlds List

 

2

Diction

  

Mayes 25-40, 50-52, 64

“Pied Beauty” Hopkins, “Fern Hill” Thomas, “Mushroom Hunting in the Jemez Mountains” Sze

  
  • Discussion Forum: Diction
  • Writing Exercise 1
 

3

Diction - Continued

  

Mayes 40-49, 55-57

“Oh, Lovely Rock” Jeffers, “Autumn Begins in Martins Ferry, Ohio” Wright, “The Fish” Bishop

  
  • Discussion Forum: Diction - Continued
  • Mini-Workshop: Respond to your group members' exercises
 

4

First-Person Speakers

  

Mayes 138-151, 288-289

“For a New Citizen of These United States” Lee, “Nani” Ríos, “Starlight” Levine

  
  • Discussion Forum: First-Person Speakers
  • Writing Exercise 2
 

5

Speakers – Collective/Invisible

  

Mayes 151-164

“Dulce et Decorum Est” Owen, “An Arundel Tomb” Larkin

  
  • Discussion Forum:Speakers – Collective/Invisible
  • Mini-Workshop: Respond to your group members' exercises
  • Poem 1 Due
 

6

Image

  

Mayes 66-84

“What the Dog Perhaps Hears” Mueller, “Nantucket” Williams, “A Study of Two Pears” Stevens

  
  • Discussion Forum: Image
  • Workshop Poems & Write Annotations
  • Poem 2 Due
 

7

Political Poetry

  

“Political Poetry is Hot Again” Tracy K. Smith
“Second Attempt Crossing” Zamora, “If They Should Come For Us” by Asghar, “En Route to Bangladesh, Another Crisis of Faith” Faizullah

  
  • Discussion Forum: Political Poetry
  • Workshop Poems & Write Annotations
  • Poem 3 Due
 

8

Tone

  

Mayes 44, 285-287, 374-380

“Nothing to Declare” Wright, “Degrees of Gray in Philipsburg” Hugo,“Tulips” Plath

  
  • Discussion Forum: Tone
  • Workshop Poems& Write Annotations
  • Poem 4 Due
 

9

Metaphor

  

Mayes 89-108, 130

“The Silken Tent” Frost, “Question” Swenson, “Fog-Horn” Merwin

  
  • Discussion Forum: Metaphor
  • Workshop Poems & Write Annotations
 

10

Ekphrasis

  

“Ekphrastic Poetry” Getty Museum,“A Postcard from Okemah” Terrance Hayes,“San Sepolcro” Jorie Graham, “Stealing The Scream” Monica Youn

  
  • Discussion Forum: Ekphrasis
 

11

Revision

  

Mayes 482-486

  
  • Discussion Forum: Revision
 

12

Form and Meter

  

TBD

  
  • Discussion Forum: Form and Meter
 

13

Portfolio Development: Re-Seeing Experiments, Revision

  

TBD

  
  • Discussion Forum: Re-Seeing Experiments
  • Draft of portfolio pieces
 

14

Sharing Your Poetry - Reading Your Work Aloud

  

TBD

  
  • Discussion Forum: Sharing Your Poetry - Upload a Recording of Yourself Reading From Your Poetry Portfolio
 

15

Portfolio Due

  

TBD

  
  • Portfolio Due
 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Full participation requires active and thoughtful engagement in class each week. Since this is an online class, you will receive credit for attendance by entering the course siteanddoing classwork. The following habits and skills are important. You'll have the opportunity to self-assess and receive instructor feedback on each of these areas at the mid-point and the end of the semester.

  • Attend class regularly each week
  • Complete all of the week's reading and assignments during the given week
  • Respond to others attentively and with an open mind
  • Positively contribute to class discussions and activities
  • Ask questions and seek help when you need it
  • Challenge yourself to do your best work

Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.

Apply Now for this semester.

Register for this semester: November 3, 2025 - January 16, 2026