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Course Planning by Program

2023-24

Essential Objectives

Course Syllabus


Revision Date: 29-Mar-23
 

Summer 2023 | ENG-2101-VO01 - Creative Writing I


Online Class

Online courses take place 100% online via Canvas, without required in-person or Zoom meetings.

Location: Online
Credits: 3 (45 hours)
Day/Times: Meets online
Semester Dates: 05-23-2023 to 08-14-2023
Last day to drop without a grade: 06-12-2023 - Refund Policy
Last day to withdraw (W grade): 07-10-2023 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Trish Hopkins
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Cindy Swanson

General Education Requirements


This section meets the following VSC General Education Requirement(s) for Catalog Year 21-22 and later:
Arts & Aesthetics
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

An exploration of creative writing as a means of self-expression. Emphasizes the process of creative writing: topic selection and form, planning, developing imagination and revising drafts. Focuses on characteristics of good writing and the discipline, practice, and self-awareness required. Prerequisite: English Composition.


Essential Objectives

1. Demonstrate with consistency a command of standard English grammar and usage.
2. Through reading work of established writers, identify and practice such craft elements as sound, imagery, diction, tone, and syntax; discuss choices a writer makes in regard to these elements.
3. Develop a process for getting started, developing and structuring drafts, and revising toward a final product.
4. Practice creative work in a variety of forms.
5. Apply critical thinking and reading skills to discuss the work of other class members as well as the work of established writers from within and outside his/her own culture.
6. Submit a final portfolio of selected work which demonstrates a commitment to practice and revision.


Required Technology

More information on general computer and internet recommendations is available on the CCV IT Support page. https://support.ccv.edu/general/computer-recommendations/

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources


*** This is a low cost ($50 or less) textbook or resource class ***

ENG-2101-VO01 Link to Textbooks/Resources Information for this course in eCampus.

The last day to use a Financial Aid Advance to purchase textbooks/books is the 3rd Tuesday of the semester. See your financial aid counselor at your academic center if you have any questions.


Methods

Weekly Discussion Board on Readings

Writing Workshops

Notebook Writing

Weekly Quizzes

Final Writing Statement

Final Manuscript Portfolio

We will be exploring and crafting short story fiction (including flash fiction). By reading and embracing elements of fiction and genres we will hone the craft of creative writing. The course includes many excellent creative writing tools from many years of experience in the field or fiction writing and publishing. You will add loads of techniques and knowledge to your creative writing bank to become a stellar author of fiction. The course provides writing videos, lectures, worksheets, and expertise in the study and performance of creative writing. Get a glimpse from watching the course video https://vsc.instructure.com/courses/42452/pages/walk-through-video?module_item_id=2862464.


Evaluation Criteria

Discussion Questions 30% of grade

Weekly Quizzes 10% of grade

Weekly Notebooks 10% of grade

Creative Writing Portfolio 50% of grade


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Week 1 Tuesday 5/23 – Monday 5/29

Genre Magic

  

When I was a Witch – Charlotte Perkins Gilman

A Man and a River – Megan Tilley

The Chaser – John Collier

  

DB Initial Prompt Post due Wednesday 5/24 by 11:59 pm

Notebook entry due by Monday night 5/29 11:59 pm

Quiz due by Monday night 5/29 11:59 pm

Three reply posts due by Monday night 5/29 11:59 pm

 

2

Week 2 Tuesday 5/30 – Monday 6/5

Genre Supernatural

  

Yellow Woman – Leslie Marmon Silko 171

Vampires in the Lemon Grove – Karen Russell p. 418

Turn Back Now – Izzy Bean

  

DB Initial Prompt Post due Wednesday 5/31 by 11:59 pm

Notebook entry due by Monday night 6/5 11:59 pm

Quiz due by Monday night 6/5 11:59 pm

Three reply posts due by Monday night 6/5 11:59 pm

 

3

Week 3 Tuesday 6/6 – Monday 6/12

Theme

Workshop 1

  

Araby – James Joyce 236

The Story of an Hour – Kate Chopin p.95

20/20 – Linda Brewer

  

Workshop DB Initial Post due Wednesday 6/7 by 11:59 pm

Notebook entry due by Monday night 6/12 11:59 pm

Quiz due by Monday night 6/12 11:59 pm

Three peer review workshop posts due by Monday night 6/12 11:59 pm

 

4

Week 4 Tuesday 6/13 – Monday 6/19

Character

  

Where Are You Going – Joyce Carol Oates p.338

October in the Chair - Neil Gaiman

The Possibility of Evil by Shirley Jackson

  

Workshop 1 polished draft due by Wednesday 6/14 by 11:59 pm

DB Initial Prompt Post due Wednesday 6/14 by 11:59 pm

Notebook entry due by Monday night 6/19 11:59 pm

Quiz due by Monday night 6/19 11:59 pm

Three reply posts due by Monday night 6/19 11:59 pm

 

5

Week 5 Tuesday 6/20 – Monday 6/26

Setting

  

What You Pawn I Will Redeem – Sherman Alexie p.8

The Legend of Sleepy Hollow – Washington Irving

Tripping the Bells – Izzy Bean

  

DB Initial Prompt Post due Wednesday 6/21 by 11:59 pm

Notebook entry due by Monday night 6/26 11:59 pm

Quiz due by Monday night 6/26 11:59 pm

Three reply posts due by Monday night 6/26 11:59 pm

 

6

Week 6 Tuesday 6/27 – Monday 7/3

Symbolism

Workshop 2

  

A Very Old Man with Enormous Wings – Gabriel Garcia Marquez p.164

Janus by Ann Beattie

Recitatif – Toni Morrison p. 303

  

Workshop DB Initial Post due Wednesday 6/28 by 11:59 pm

Notebook entry due by Monday night 7/3 11:59 pm

Quiz due by Monday night 7/3 11:59 pm

Three peer review workshop posts due by Monday night 7/3 11:59 pm

 

7

Week 7 Tuesday 7/4 – Monday 7/10

Genre Mystery

  

A Rose for Emily – William Faulkner p.154

The Cask of Amontillado – Edgar Allan Poe p.402

Lamb to the Slaughter – Roald Dahl

  

Workshop 2 polished draft due by Wednesday 7/5 by 11:59 pm

DB Initial Prompt Post due Wednesday 7/5 by 11:59 pm

Notebook entry due by Monday night 7/10 11:59 pm

Quiz due by Monday night 7/10 11:59 pm

Three reply posts due by Monday night 7/10 11:59 pm

 

8

Week 8 Tuesday 7/11 – Monday 7/17

POV

  

The Yellow Wallpaper – Charlotte Perkins Gilman p.171

Girl – Jamaica Kincaid p.252

Woman Hollering Creek – Sandra Cisneros p. 98

  

DB Initial Prompt Post due Wednesday 7/12 by 11:59 pm

Notebook entry due by Monday night 7/17 11:59 pm

Quiz due by Monday night 7/17 11:59 pm

Three reply posts due by Monday night 7/17 11:59 pm

 

9

Week 9 Tuesday 7/18 – Monday 7/24

Tone

Workshop 3

  

The Things They Carried – Tim O'Brien 399

I'm a Mad Dog Biting Myself for Sympathy by Louise Erdrich p. 147

Hills Like White Elephants – Ernest Hemingway p.201

  

Workshop DB Initial Post due Wednesday 7/19 by 11:59 pm

Notebook entry due by Monday night 7/24 11:59 pm

Quiz due by Monday night 7/24 11:59 pm

Three peer review workshop posts due by Monday night 7/24 11:59 pm

 

10

Week 10 Tuesday 7/25 – Monday 7/31

Genre Fantasy

  

The Thing in the Forest– A.S. Byatt

Volar – Judith Ortiz Cofer p.399

The Birds – Daphne du Maurier

  

Workshop 3 polished draft due by Wednesday 7/26 by 11:59 pm

DB Initial Prompt Post due Wednesday 7/26 by 11:59 pm

Notebook entry due by Monday night 7/31 11:59 pm

Quiz due by Monday night 7/31 11:59 pm

Three reply posts due by Monday night 7/31 11:59 pm

 

11

Week 11 Tuesday 8/1 – Monday 8/7

Plot

  

Everyday Use – Alice Walker p. 480

Flight Patterns – Sherman Alexie

Roman Fever – Edith Wharton

  

DB Initial Prompt Post due Wednesday 8/2 by 11:59 pm

Notebook entry due by Monday night 8/7 11:59 pm

Quiz due by Monday night 8/7 11:59 pm

Three reply posts due by Monday night 8/7 11:59 pm

 

12

Week 12 Tuesday 8/8 – Monday 8/14

Collection

  

Pajamas – Dr. Trish Hopkins

Leaves – Dr. Trish Hopkins

Plaids – Dr. Trish Hopkins

Live Bait – Dr. Trish Hopkins

  

Final Portfolio due by Tuesday 8/8

DB Initial Prompt Post due Wednesday 8/8 by 11:59 pm

Notebook entry due by Monday night 8/14 11:59 pm

Quiz due by Monday night 8/14 11:59 pm

Three reply posts due by Monday night 8/14 11:59 pm

 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

https://vsc.instructure.com/courses/32130/pages/welcome

The heart of our learning this semester unfolds in our weekly discussions. Students do well by participating per the guidelines listed in our Canvas classroom each week. Since this aspect of the course is group work, students are expected to participate before the end of the week. Discussion boards (DBs) close at the end of the week and cannot be made up for credit.



Missing & Late Work Policy

While students are expected to keep up with the weekly assignments, certain issues arise out of our control. As long as you contact me ahead of time, we can work out late assignments.

The discussions are group work, meaning they cannot be made up after the week ends.

However, the quizzes and notebooks can be made up without a late penalty if you contact me.


Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.