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2024-25

Essential Objectives

Course Syllabus


Revision Date: 18-Jan-24
 

Spring 2024 | ENG-1062-VT01 - English Composition II


In Person Class

Standard courses meet in person at CCV centers, typically once each week for the duration of the semester.

Location: Brattleboro
Credits: 3 (45 hours)
Day/Times: Thursday, 09:00A - 11:45A
Semester Dates: 01-25-2024 to 05-02-2024
Last day to drop without a grade: 02-11-2024 - Refund Policy
Last day to withdraw (W grade): 03-24-2024 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Andrew Byler
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Collin Lee

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
CCV Writing and Research
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

This course is an introduction to interdisciplinary writing and an opportunity to refine critical reading and writing skills. Students construct complex essays, enhance their writing skills, and experiment with a greater variety of strategies to interest, inform, and persuade. Students must complete a final research paper with a grade of C- or better in order to pass this course. This course fulfills the research and writing intensive requirement. Prerequisite: English Composition.


Essential Objectives

1. Explore through reading, writing, and critical discussion a broad range of texts from a variety of genres such as memoir, travel, argument, satire, humor, and reflection.
2. Write and revise essays that demonstrate a variety of rhetorical strategies designed to meet the needs of specific audiences.
3. Develop complex positions or arguments through writing, synthesizing personal ideas with other information, arguments, and perspectives in order to support a claim and create new meaning, insight, and understanding.
4. Analyze and evaluate underlying strategies in selected works to define specific rhetorical components and evaluate their purpose and power.
5. Distinguish among opinions, facts, inferences, and persuasive approaches in primary and secondary sources.
6. Demonstrate the ability and willingness to approach a particular idea, problem, task, or writing goal from multiple perspectives.
7. Develop a process for getting started, developing, and structuring drafts, as well as revising toward a final product.
8. Examine and practice variations in style with an aim of developing a distinctive writing style of one's own.
9. Demonstrate information literacy skills: distinguish between and utilize both primary and secondary sources; perform library and web-based literature searches; and evaluate data and resources for credibility, reliability, and validity.
10. Demonstrate the ability to apply either APA or MLA citation styles in academic writing by parenthetically citing sources in the text and correctly compiling them in the relevant end sources page.
11. Compose, revise, and edit a final paper that includes a thesis, integrates five or more scholarly and professional sources, including primary and secondary evidence as needed, to address an academic research question and demonstrate writing proficiency by achieving a grade of C- or better.


Required Technology

More information on general computer and internet recommendations is available on the CCV IT Support page. https://support.ccv.edu/general/computer-recommendations/

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources

This course only uses free Open Educational Resources (OER) and/or library materials. For details, see the Canvas Site for this class.


Methods

  • prioritizing the process of drafting, writing, and revision over "correct" format and syntax
  • in-class reading and evaluation of texts
  • small and large group discussions
  • working in pairs to present a piece of writing to the group
  • original research questions and synthesis of source materials
  • professional work-based learning experiences, esp as these relate to writing in a processional setting (reports, cover letters, evaluations, etc.)

Evaluation Criteria

Evaluation Criteria

This course uses a weighted categories system to calculate final grades.

Participation = 20%
Writing Assignments = 40%
Discussion posts = 20%
Final Project = 20%


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1
  • Introductions:

Why are group dynamics so important for a class like this?

  • Group expectations: What classes were successful and why?

What classes were a drag and why?

  • Interviews: Introduce one another to the rest of the class

    • What did students cover in Composition I?

    • Hopes and dreams for Composition II?

  
  • Types of writing and rhetoric:

Writing Situations https://wac.colostate.edu/repository/writing/guides/writing-situations/

Image of rhetorical situation: how does it apply in your field? Discuss types of writing / rhetorical situations each student interacts with academically or professionally

  

WK 1 Discussion: After thinking more about how this course can support your efforts in other classes at CCV, write a post about future readings or assignments that could ‘overlap’ with your interests. Please respond to another student’s post as well.

WK 1 Assignment: “Bad Drafts, Good Writing”

In a page or so, reflect on your writing process. What has worked in the past when you’ve had to produce a piece of writing? What pitfalls have you learned to avoid?

 

2

The Listicle

  • How to ‘grow’ a draft:

Small to big assignments, low to higher stakes:

“How was your last semester at CCV? What went well? What didn’t? Why?”

Text response to this question→Email response to this question→Submission to the prompt

  • Introduction to the listicle as a ‘low-stakes’ writing format

  

The Listicle as Literary Form: https://mag.uchicago.edu/arts-humanities/listicle-literary-form

Definition of Listicle: https://www.process.st/listicle/

How to pick a topic you enjoy writing about?

  

WK 2 Discussion: come up with a number of potential listicle topics, write a sentence or two about the pros and cons of each

WK 2 Assignment: “Listicle Draft 1”

Draft 1 of the listicle should include 5-8 list items and a brief introduction to the topic, expect to peer edit classmates’ work in class WK 3

 

3

The Op-Ed

  • Look at examples, what works and why?

  • Work in pairs to present op-eds to the rest of class

    

Op Ed draft #1

 

4

The Op-Ed

  • Look at more examples, what works and why?

  • Work in pairs to present more op-eds to the rest of class

  

Op Ed Peer Review

  

Op Ed Final Draft

 

5

Crime!

  

“Chapter 1” Blacktop Wasteland pg 1-14, S.A. Cosby

  

Analysis or Creative

 

6

Memoir

  

“Chapter 1” The Liars’ Club pg. 3-18, Mary Karr

  

Analysis or Creative

 

7

Horror

  

“Real Women Have Bodies,” Carmen Maria Machado from Her Body and Other Parties (2017)

Misery Stephen King (1987)

  

Analysis or Creative

 

8

Horror

  

Misery Stephen King (1987)

  

Analytic or Creative

 

9

Fantasy

  

Selections from Borne Jeff Vandermeer, (2017): “WHAT I FOUND AND HOW I FOUND IT,” “WHO I BROUGHT BORNE TO,” “WHERE I LIVED, AND WHY,” “WHY I CALLED HIM BORNE AND HOW HE CHANGED,” “WHAT I FOUND IN WICK’S APARTMENT”

  

Creative or Analytic

 

10

Analytic

  

Selections from Mom Rage: The Everyday Crisis of Modern Motherhood Mina Dubin (2023): “Prologue,” “The House of Mom Rage,” “The Scam of Motherhood”

  

Analytic or Creative

 

11

On Writing

  

Selections from Bird by Bird: Some Instructions on Writing and Life Anne Lamott (1994)

On Writing: A Memoir of the Craft Stephen King (2000)

Selections from Novelist as a Vocation Haruki Murakami (2022)

  

Reflection

 

12

On Writing

  

Selections from Bird by Bird: Some Instructions on Writing and Life Anne Lamott (1994)

On Writing: A Memoir of the Craft Stephen King (2000)

Selections from Novelist as a Vocation Haruki Murakami (2022)

  

Reflection

 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Full participation requires active and thoughtful engagement in class each week. There will be ways to participate through email or discussion posts that do not require speaking in front of the class. Please talk to me if some forms of participation are more difficult than others.

Here's a general participation guideline:

  • Attend class regularly, on-time and for the full session
  • Complete all of the week's reading and assignments before the start of class
  • Listen to others attentively and with an open mind
  • Positively contribute to class discussions and activities
  • Ask questions and seek help when you need it


Missing & Late Work Policy

Assignments and Discussion posts are due by midnight on Wednesdays. Late work will only be considered for grading if the student communicates with me.


Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.