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2024-25

Essential Objectives

Course Syllabus


Revision Date: 05-Aug-24
 

Painting I




Credits:
Semester Dates: Last day to drop without a grade: 09-16-2024 - Refund Policy
Last day to withdraw (W grade): 11-04-2024 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

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Course Description

In this course, students explore beginning painting strategies in oils or acrylic. Emphasis is on process and investigation of various spatial structures in both representational and nonrepresentational modes. Students develop a formal vocabulary, visual sensitivity and manipulative skills. Recommended prior learning: Drawing I or Introduction to Studio Art.


Essential Objectives

1. Demonstrate technical skills used in creating paintings including surface preparation and the proper use of brushes and/or knives.
2. Select and employ painting techniques including but not limited to ebauche, grisaille, scumbling, impasto, glaze, wash, wet-into-wet, dry brush, and spray techniques.
3. Explore color theory, as well as values, form, light and shadow relationships, perspective, composition, and design.
4. Examine and discuss the historical, social, and cultural context of paintings with an emphasis on global or cultural diversity.
5. Explore the environmental impacts of conventional painting materials and the use of sustainable alternatives.
6. Demonstrate the environmentally safe use and disposal of materials.
7. Create and display a portfolio of paintings.


Required Technology

More information on general computer and internet recommendations is available on the CCV IT Support page. https://support.ccv.edu/general/computer-recommendations/

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources

This course only uses free Open Educational Resources (OER) and/or library materials. For details, see the Canvas Site for this class.


Methods

Class Zoom sessions will include: instructor demonstrations, studio work, exploratory art stations, video demonstrations by other artists, guided research, a mid term critique and final critique, discussions, and short writing assignments.


Evaluation Criteria

40% Projects & Critiques- major project assignments (key examples of your progress), museum/gallery write- up, midterm and final critiques

35% Homework- readings and written responses, small paintings to prepare for larger projects, discussion forums

25% Class Participation- discussions, work during class time


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Introductions and Expectations, Review of syllabus, Questionnaire, Icebreaker activity, and Collaborative introduction to paints, brushes, and pigments

*Beginner’s guide to acrylics

Value and Form, painting activity

Homework: Still life of cardboard boxes, Read article “Drawing as Painting”, Drawing review of forms and light

  

Beginner’s guide to acrylics

Value and Form, painting activity

Homework: Still life of cardboard boxes, Read article “Drawing as Painting”, Drawing review of forms and light

  
 

2

Preparing a surface, The grisaille painting, mixing values,

thumbnail sketches and composition, individual still life activity

  

Art Elements Interactive activity in class

Four Paintings of a piece of fruit, emphasize 4 art elements

Homework: Pick 4 examples of different elements to upload to the forum: shape, form, space, texture, line, color or value.Please label the elements you are showing in each of your 4 pictures.

  
 

3

Intro to Color theory. Review Color Wheel and Color Schemes Hue, Value, and Intensity.

  

Introduction to Gradients, value studies on canvas sheets

Article: How your hairdresser can teach you to mix color, byWILL KEMP

Monochromatic painting activity, How to make studies in color

Homework: Color mixing charts, More painting studies in color

  
 

4

Bottles and light practice, - Exploring new techniques, dry brush, alla prima, glazing

  

Artists in action videos,

Turner, Painting light

Homework: Sky paintings

  
 

5

Discuss glazing / scumbling techniques. Methods to manipulate paint (pulling, blending, glazing and scumbling)

  

Intro to the Landscape: A series of alla prima paintings, loosening up and blocking in space

Homework: Landscape paintings Realistic and Abstract

Intro to the Principles of Design

  
 

6

Mood: Color, Emphasis, Exaggeration, and Contrast.

Impressionism, German Expressionism, and contemporary mood paintings. Review the Principles of Design

  

Homework: Research one artist and post information in the discussion forum. Respond to two other classmates.

  
 

7

Experimenting with a variety of techniques: sgraffito, acrylic mediums, inventive scraping, patterns, and lifting off

Cubism, history, analysis/ Cubism and the “Western Gaze” in art, colonialism

  

Discuss various geometric applications: construct a geometric based composition

Homework: Abstract/ Cubist painting assignment (due in two weeks)

Mid term critique online in discussion forum

  
 

8

Combining Techniques, Composition

Diaspora: The art of identity and movement, Artist highlights, discussion forum

  

Homework: The self-portrait and symbolism, ½ face portrait practice

Understanding Diaspora and Art by Aïcha Mehrez

  
 

9

Portrait Practice,Self-Portraits, history analysis

  

Homework: Self-Portrait Painting and portrait web search

  
 

10

Surrealism slideshow, history and analysis

  

Juxtaposition, transformation, scale change, dislocation, levitation, and transparency.

In class activity

Homework, Small surreal mixed media painting

  
 

11

Pointillism: Optics in painting/ Pointillism Still life

  

Homework- Using small dots that are optically mixed, See Canvas for videos and articles.

Creating an Artist Statement

  
 

12

Final Choice Project assigned

Advanced still life- Utilize a variety of techniques, transparency

  

Abstract painting assignment tutorial and rubric review

Homework: plan final choice using form

  
 

13

Abstract Painting Due and ***Museum Gallery Write-up Due

In class quiz on painting techniques/ Review and practice

  

Persian miniatures

Homework: Miniature paintings

  
 

14

Open studio questions feedback 20 minutes interactive session

Painting sessions/ group and individual feedback

  

Homework: Final Choice Project and Final critique

Critique rubric

  
 

15

Final Critique, All work due.

  

Review of techniques

Art review quiz due

Final Choice Project Due

  
 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

  • Attend class regularly, on-time and for the full session
  • Complete all of the week's assignments before the start of class
  • Listen to others attentively and with an open mind
  • Positively contribute to class discussions and activities
  • Ask questions and seek help when you need it
  • Challenge yourself to do your best work


Missing & Late Work Policy

  • Assignments are due by the deadline noted on the syllabus,
  • If you need to be absent, your work can be submitted online.
  • You are responsible for checking Canvas and getting any notes, materials and assignments for the class you missed. Please reach out and ask questions if anything needs to be clarified..
  • Plan to complete homework for the next class meeting on time. Being absent is not an excuse for not completing any homework assigned that day.
  • Late work is not accepted, except in emergency situations. In the case of an extenuating circumstance, please communicate as early as you can with your instructor about the need to miss class and/or assignments.

Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.