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Course Planning by Program

2026-27

Essential Objectives

Course Syllabus


Revision Date: 19-Jan-26
 

Spring 2026 | ART-1011-VO02 - Drawing I


Online Class

Online courses take place 100% online via Canvas, without required in-person or Zoom meetings.

Location: Online
Credits: 3 (45 hours)
Day/Times: Meets online
Semester Dates: 01-27-2026 to 05-11-2026
Last day to add this section: 02-05-2026
Last day to drop without a grade: 02-08-2026 - Refund Policy
Last day to withdraw (W grade): 03-29-2026 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Susannah Gravel
View Faculty Credentials
View Faculty Statement
Hiring Coordinator for this course: Dana Lee

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
Arts and Aesthetics
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

This course introduces students to the use of pencil, charcoal, pen and ink, and other drawing mediums with a focus on observational drawing skills. Students develop a deeper understanding of drawing as a way of seeing, organizing ideas, and recording perceptions of the world around them.


Essential Objectives

1. Explore the use of a variety of drawing mediums and different drawing surfaces including a variety of paper types and sizes.
2. Draw a variety of subjects such as still life, landscape, and human forms.
3. Develop a drawing vocabulary that includes elements of art (line, shape, color, value, texture, form, and space) and principles of design (balance, contrast, emphasis, movement, pattern, rhythm, and unity/ variety) through discussion and critique.
4. Apply elements of art and principles of design in one's own drawing.
5. Examine, discuss and critique artwork that includes the art/design historical, social, and cultural context with emphasis on the impact of global and/or cultural diversity on the development of drawing as an art form.
6. Design and complete individual projects.
7. Create a portfolio of drawings and display finished works in a professional manner.


Required Technology

More information on general computer and internet recommendations is available on the CCV computer recommendations Support page.

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources

This course only uses free Open Educational Resources (OER) and/or library materials. For details, see the Canvas Site for this class.


Artificial Intelligence(AI) Policy Statement

CCV recognizes that artificial intelligence (AI) and generative AI tools are widely available and becoming embedded in many online writing and creative applications.

Prohibited: The use of generative AI is not allowed in this course, with the exception of spellcheck, grammar check and similar tools. This course rests in the value of students engaging in the learning process without relying on AI-generated content. Students will develop critical thinking and problem-solving skills independently, owning their learning journey from start to finish. If you use these tools, your actions would be considered academically dishonest and a violation of CCV's Academic Integrity Policy.

In this course, students are expected to develop their own original thoughts, analyses, and insights when discussing and comparing artworks within a historical context. The goal is for you to engage critically with the material, demonstrate independent thinking, and build connections between historical and cultural influences on art.

While AI tools can be helpful for brainstorming or clarifying concepts, any written work generated entirely or substantially by AI technology is not acceptable and will result in a grade of zero for the assignment.

Students are encouraged to:

    • Think critically and independently about the course material.
    • Use their own voice and perspective in all written and drawn work.
    • Properly cite any external sources, including AI-generated ideas, if they are used for inspiration or minor support.

If you’re unsure about the appropriate use of AI tools, please reach out to me before submitting your work. This policy is in place to ensure academic integrity and to help you grow your skills in analysis, comparison, and historical understanding.



Methods

This drawing I course involves both studio work as well as homework assignments. Students can expect to spend three hours watching demos, practicing the studio assignment in their sketchbook, participating in the online forum, and reading through any additional materials. Nine hours of homework each week is expected, and the minimum time necessary to see development. A variety of examples will be offered in video demonstrations to illustrate a range of approaches and techniques. Students will be expected to participate in critique by posting in the online forum and offering constructive feedback to their peers. Professionally working artists will be presented during the week to reinforce learned skills.


Evaluation Criteria

  • 60% Weekly Studio Cycle
    This includes demo practice, planning sketches, peer feedback, gratitude and reflection, and final drawings. Together, these form the student’s developing portfolio and studio practice.
  • 20% Midterm Project
  • 20% Final Project, Artist Statement, and Portfolio Presentation

A: Superior to excellent work. The student has completed all assignments thoughtfully, creatively, and diligently. The outstanding amount of skill and care put into their work. The student has created an extensive body of work. Strong voice during discussions. Creative and sensitive feedback during discussions. Overall, effort and attitude are superb.

B: Good to excellent work. All assignments have been completed and show significant effort and care. The student grasps most of the concepts introduced in class and thoughtfully applies them to their work. The student is a willing and active participant in class discussions.

C: Partial to good work. The student does not exhibit the amount of care required for this topic. The student grasps some ideas but needs to put forth the full effort to practice them.

D: The student meets the assignment's expectations marginally. They need more comprehension of concepts, poor critical thinking and attention to detail, and difficulty articulating their learning.

F: The student did not meet the expectations of this class. There were incomplete assignments, irregular attendance, little or no growth, and a lack of discussion participation. The effort was minimal, and attendance may have been unacceptable. Students are strongly urged to discuss this grade with their instructor and advisor.


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

Orientation and Mindset

  • Drawing is a skill, not a talent
  • Setting up a home studio space
  • Materials and supplies overview
  • How the Studio Cycle works
  

COMPLETE:

  • Discussion Forum: Student Introductions
  • Read Through Materials
  • Watch Intro Video
  • Syllabus Scavenger Hunt
  • Canvas Profile
  • Collect Art Supplies
  

Forum Post

Completed Artworks

 

2

Basic Skills: (2D Thinking)

  • Drawing lightly
  • Basic shapes and control
  • Hand-eye coordination
  • Lines, circles, ovals, and simple shapes
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Shape Composition

Sketchbook Practice:

  • Drawing Lightly
  • 100 each Circles, Ovals, Curved Shapes, and Straight Lines
  • Straight Edge Shapes
  

Forum Post

Completed Artworks

 

3

Form and Space (3D Thinking)

  • Sphere/Cylinder/Cube
  • Compound Forms
  • Three Dimensions
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Simple Still Life

Sketchbook Practice:

  • 50 each Volumetric Spheres, Cylinders, and Boxes
  • Two Point Perspective Cube
  

Forum Post

Completed Artworks

 

4

Measuring and Proportion

  • Using units of measurement
  • Comparing height and width
    Vertical and horizontal alignment
  • Grid systems
  • Foreshortening
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Proportional Object Study

Sketchbook Practice:

  • Measuring simple household objects
  • Grid practice
  • Foreshortening a Banana
  

Forum Post

Completed Artworks

 

5

Mark Making and Contours

  • Mark Making
  • Expressive Lines
  • Inside, Outside, and Cross Contour Lines
  • Blocking In
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Textures Object Study

Sketchbook Practice:

  • Ever Changing Line
  • Pillow, Rock, Balloon
  

Forum Post

Completed Artworks

 

6

Dramatic Light and Shadow

  • How to Light and Object
  • Conditions of Light
  • Value Scale
  • Shadows
  • Refining Values
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Shaded Complete Object

Sketchbook Practice:

  • Create Value Scale
  • Shaded Sphere
  • Shaded Cylinder
  • Shaded Cube
  

Forum Post

Completed Artworks

 

7

Midterm

Complete Assignment

  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Still Life Visual Story Telling or Narrative Drawing
  

Forum Post

Completed Artwork

 

8

Figure Drawing Foundations

  • Introduction to figure drawing
  • Focus on hands
  • Proportion and structure
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Hand Drawing

Sketchbook Practice:

  • Hand Studies
  • Blind Contour Drawing
  • Gestural Studies
  

Forum Post

Completed Artworks

 

9

WEEKS 8–14 (we start with week zero as week 1): MEDIA EXPLORATION AND PERSONAL VOICE

This portion of the course moves from technical skill development into conceptual thinking. Each week introduces a new medium and a new conceptual focus. Assignments will continue to follow the Studio Cycle format with planning, peer feedback, and a final resolved drawing.

Conceptual Drawing #1

Theme: Inner Worlds, Outer Realities
Medium Focus: Ink

Learning Goals

  • Use ink to create expressive line and texture
  • Explore how symbols can communicate personal ideas
  • Translate internal emotions into external visual imagery
  • Strengthen compositional planning
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Create an ink drawing that represents an inner emotional experience through symbolic imagery and intentional composition.

Sketchbook Practice:

  • Brainstorm a list of personal symbols and themes
  • Create at least three small thumbnail composition ideas
  • Produce one detailed contour sketch of your chosen idea
  • Label planned techniques: line weight, texture, focal point
  

Forum Post

Completed Artworks

 

10

Conceptual Drawing #2

Theme: Time and Transformation
Medium Focus: Charcoal and Atmospheric Perspective

Learning Goals

  • Use charcoal to create mood and depth
  • Explore time as a visual concept
  • Practice atmospheric perspective
  • Experiment with layering and erasing
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Create a charcoal drawing that visually represents transformation or the passage of time

Sketchbook Practice:

  • List ideas related to time: growth, decay, memory, change
  • Create thumbnail sketches exploring transformation
  • Produce a charcoal contour sketch of final idea
  • Label areas of value, texture, and atmosphere
  

Forum Post

Completed Artworks

 

11

Conceptual Drawing #3

Theme: Dreamscapes – Between Reality and Imagination
Medium Focus: Colored Pencil

Learning Goals:

  • Use colored pencil layering and blending
  • Combine realistic observation with imaginative elements
  • Develop color as an emotional and narrative tool
  • Strengthen depth through color and value
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Create a colored pencil drawing that blends realistic space with imaginative or dreamlike elements.

Sketchbook Practice:

  • Brainstorm dream-inspired imagery
  • Create thumbnails mixing real and imagined elements
  • Produce a detailed color sketch plan
  • Label color strategies and focal points
  

Forum Post

Completed Artworks

 

12

Conceptual Drawing # 4

Theme: Self-Portrait in Symbols
Medium Focus: Pastels

Learning Goals

  • Use pastels for expressive color and texture
  • Explore metaphorical self-portraiture
  • Combine likeness with personal symbolism
  • Strengthen emotional storytelling through composition
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Create a symbolic self-portrait using pastel that communicates identity beyond simple likeness.

Sketchbook Practice:

  • List symbols that represent aspects of your identity
  • Create thumbnail self-portrait ideas
  • Produce a pastel planning sketch
  • Label areas of color, texture, and emphasis
  

Forum Post

Completed Artworks

 

13

Conceptual Drawing # 5

Theme: Architectural Fantasia
Medium Focus: Mixed Media of Student Choice

Learning Goals:

  • Combine at least two different drawing media
  • Apply perspective and proportion creatively
  • Design an imaginative structure or environment
  • Use texture and layering intentionally
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Create a mixed-media drawing of an invented architectural space that balances structure with imagination.

Sketchbook Practice:

  • Brainstorm imaginative architectural ideas
  • Create thumbnails experimenting with media combinations
  • Produce a labeled contour sketch plan
  • Identify chosen media and techniques
  

Forum Post

Completed Artworks

 

14

Start Final Drawing

Learning Goals:

  • Synthesize skills from the entire semester
  • Develop a personal, meaningful final concept
  • Plan a multi-layered composition
  • Reflect on artistic growth
  

Studio Cycle:

  • Practice and Concept Sketches
  • Peer Feedback
  • Gratitude and Response to Feedback
  • Final Drawing: Draft Only

Sketchbook Practice:

  • Brainstorm final project ideas
  • Create multiple concept sketches
  • Produce one detailed final plan
  • Label media, techniques, and conceptual goals
  

Forum Post

Completed Artworks

 

15

Finish Final Drawing & Portfolio

Focus

  • Complete Final Drawing
  • Assemble and refine portfolio
  • Reflect on progress and growth
  

Homework:

  • Final Drawing Submission: Identity Through Layers
  • Portfolio Upload
  • Discussion Forum 15: Final Send-Off and Reflection
  

Forum Post

Completed Artworks

 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Instructor Expectations for a Successful Course

This course is designed to let me work at my own pace with the same level of professionalism expected. It is not the softer, easier way. Please remember that weekly deadlines for discussion participation, assignments, and examinations must be met to ensure maximum credit for a student’s final grade.

To be considered present for a given week, a student must:

    • Submit demo practice and planning sketches by Tuesday.
    • Provide peer feedback by Wednesday.
    • Complete gratitude and reflection by Thursday.
    • Submit the final drawing by Saturday.
    • Missing any of these components may result in being marked tardy or absent for the week.
    • Class attendance counts as 60% of your final grade. Each week, a record of your logins is documented in Canvas.
    • All absences must be excused before the start of the week. Please email me at smc05271@ccv.vsc.edu if it is an emergency call or text my phone at 802-591-1894. Leave your name, what class you are enrolled in, the reason for your absence, and any support you will need.
    • You are allowed up to two absences per semester. Two absences will lower your final grade.
    • Three absences will result in immediate failure of this course. Please reach out often and early when struggling with anything in this class. I am here to support your success.
    • We only have 14 classes together this semester. Each class covers a significant amount of learning, scaffolded intentionally to strengthen your skills for each additional course.

FORUM AND STUDIO CYCLE EXPECTATIONS

Each week in this course follows a Studio Cycle. This cycle mirrors how artists work in real studio practice: observing, experimenting, receiving feedback, revising, and completing work thoughtfully.

Each weekly Studio Cycle includes four parts:

  1. Practice and Planning
    By Tuesday at 11:59 pm, students will:
  • Complete the assigned demo practice in their sketchbook.
  • Develop a planning sketch for the weekly drawing project.
  • Label the planning sketch with written notes about materials, composition, value structure, and areas of focus.
  • Upload clear photos of both demo practice and planning sketch.
  1. Peer Feedback
    By Wednesday at 11:59 pm, students will:
  • Respond to two classmates’ planning sketches.
  • One response must be to a peer who has not yet received feedback.
  • Feedback should be specific, constructive, and use drawing vocabulary.
  1. Gratitude and Reflection
    By Thursday at 12:00 pm, students will:
  • Thank peers who offered feedback.
  • Reflect briefly on what feedback they plan to use and what revisions they will make.
  1. Final Drawing
    By Saturday at 11:59 pm, students will:
  • Upload their completed drawing.
  • Demonstrate how feedback and planning informed the final work.

Students should plan to log in multiple times each week to participate meaningfully in this process.



Missing & Late Work Policy

Late assignments will be graded only after all on-time work has been reviewed. Because on-time submissions take priority, it may take more than a week to receive feedback on late work. I’ll do my best to return all assignments as promptly as possible, but please plan for delays if your work is submitted past the due date.

Barriers to Completing Work

  1. Have contingency plans for computer problems. To stay current with weekly responsibilities, students should seek out friends, family, and even coworkers who have internet services in the event of a computer crash.
  2. Online learning happens in real-time. The online student must function regardless of life’s challenges (births, deaths, travel, family emergencies, work issues, military deployment, etc.). Success is contingent upon the student’s ability to master course content while simultaneously mastering life’s challenges. If work is not submitted on time, the instructor will assume that an unforeseen event has occurred and that the student will be back on track as soon as possible, thus eliminating the need for an apology or excuse.
  3. Communication is vitally important! A student should always contact the instructor to let them know what’s going on in their life if the student needs to be away from the course for any reason. It is possible that suitable arrangements could be made so the student can continue in the course.

Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/student-support/accessibility-services/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.

Apply Now for this semester.

Register for this semester: November 3, 2025 - January 16, 2026