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Course Planning by Program

2024-25

Essential Objectives

Course Syllabus


Revision Date: 23-Mar-24
 

Spring 2024 | ENG-1350-VJ01 - World Mythology


In Person Class

Standard courses meet in person at CCV centers, typically once each week for the duration of the semester.

Location: Upper Valley
Credits: 3 (45 hours)
Day/Times: Monday, 06:00P - 08:45P
Semester Dates: 01-22-2024 to 04-29-2024
Last day to drop without a grade: 02-11-2024 - Refund Policy
Last day to withdraw (W grade): 03-24-2024 - Refund Policy
This course has started, please contact the offering academic center about registration

Faculty

Madeline Raynolds
View Faculty Credentials

Hiring Coordinator for this course: Jennifer Gundy

General Education Requirements


This section meets the following CCV General Education Requirement(s) for the current catalog year:
VSCS Humanistic Perspectives
    Note
  1. Many degree programs have specific general education recommendations. In order to avoid taking unnecessary classes, please consult with additional resources like your program evaluation, your academic program catalog year page, and your academic advisor.
  2. Courses may only be used to meet one General Education Requirement.

Course Description

An exploration of the meaning of mythology and the evolution of mythical thought from an interdisciplinary standpoint. Consideration will be given to mythology as an explanation of the way the world is ordered and how human beings respond to that order. Students will explore a diverse range of myths from cultures around the world and examine the relevance of myths in our daily lives.


Essential Objectives

1. Examine myths from the perspective of various disciplines and world cultures.
2. Compare and contrast different cultural approaches to myth while recognizing the universality of mythical themes.
3. Analyze the connection between myths and human development.
4. Compare and contrast the journeys of male and female heroes.
5. Examine cultural paradigms and explain how myths can define a culture's ideals.
6. Interpret mythical images, themes, and archetypes in written works and art forms.
7. Determine the relevance and importance of myths in our modern world and in the student's personal development.


Required Technology

More information on general computer and internet recommendations is available on the CCV IT Support page. https://support.ccv.edu/general/computer-recommendations/

Please see CCV's Digital Equity Statement (pg. 45) to learn more about CCV's commitment to supporting all students access the technology they need to successfully finish their courses.


Required Textbooks and Resources


*** This is a low cost ($50 or less) textbook or resource class. ***

This course uses one or more textbooks/books/simulations.

Spring 2024 textbook details will be available on 2023-11-06. On that date a link will be available below that will take you to eCampus, CCV's bookstore. The information provided there will be specific to this class. Please see this page for more information regarding the purchase of textbooks/books.

ENG-1350-VJ01 Link to Textbooks for this course in eCampus.

The last day to use a Financial Aid Advance to purchase textbooks/books is the 3rd Tuesday of the semester. See your financial aid counselor at your academic center if you have any questions.


Methods

  • Small-group and whole-class discussion, in-person and online
  • Mini-lecture
  • Small group activities, including games and simulations
  • In-class reaction writing and writing assignments
  • Journals
  • Weekly readings
  • Student led discussions
  • Project of the student's choosing

Evaluation Criteria

  • 25% journal
  • 25% weekly online readings and discussion
  • 50% 4 major assignments
    • 1. Critical Analysis and Discussion Leadership Assignment (starting week 4)

      2. Modern Mythology in Pop Culture

      3. Mythological Comparative Analysis

      4. Mythological Storytelling Project


Grading Criteria

CCV Letter Grades as outlined in the Evaluation System Policy are assigned according to the following chart:

 HighLow
A+10098
A Less than 9893
A-Less than 9390
B+Less than 9088
B Less than 8883
B-Less than 8380
C+Less than 8078
C Less than 7873
C-Less than 7370
D+Less than 7068
D Less than 6863
D-Less than 6360
FLess than 60 
P10060
NPLess than 600


Weekly Schedule


Week/ModuleTopic  Readings  Assignments
 

1

The History and the Mystery

Mythos to logos...and back

  

What is a Myth? by Karen Armstrong

The Myth of Myself by Alan Watts

  

Homework: The Myth of Myself by Alan Watts

Discussion: Analyzing worldview questions

 

2

Chaos and Order

Multiplicity and control

  

Jung, the Self and Myth by Joseph Campbell

The New Axial Age by Jessica Roemischer

  

Online discussion on readings:

  • What Assumptions does the author of the text hold?
  • What do you Agree within the text?
  • What do you want to Argue within the text?
  • What parts of the text do you want to Aspire to?
 

3

Human and Literary Universals

The interplay of self and other

  

The World of Mythby David A. Lemmingpp.13-41

Synchronicity: Meaningful Patterns in life (Short film about Carl Jung's contribution to the study of myths.

Why was I Born? (The Power of Archetypes) by Carolyn Myss (Optional)

  

Please read The World of Myth by David Lemming pp. 13-41

While reading, consider the following questions for all the myths:

What is the function of the myth?

From what is the world created?

How is the world created?

Where do humans fit in?

 

4

Cosmogony and Origin Stories

Where did we come from?

  

The World of Mythology by David A. Lemming pp 42-84 (The Flood and the Apocalypse)

  

ReadThe World of Mythologyby David A. Lemming pp 42-84 (The Flood and the Apocalypse)

with special attention to you assigned myth. Answer questions for your respective myth in the online discussion.

Also, review vocabulary from Week's 2 and 3. And think about the mythology in Pop assignment.

 

5

Eschatological Thought

Fear, the underworld and other premonitions

  

The Myth of Gods in The World of Mythby David. A. Leeming pp. 87- 200

From Before the Apocalypse to Beyond BibleApocalypsesby Justin Jeffcoat Schedtler and Kelly J. Murphy

  

1. Skim "The Pantheons" pp.89-115

2. Choose “God as an Archetype” or “God, Goddesses and Lesser Spirits” Chapter

3. Steps 1 and 2 of Myth/Pop culture presentation (See this week’s announcement)

 

6

Gods, Goddesses and Hierarchical Structures

Why am I here?

  

Pan's Labyrinthwritten and directed by Guillermo Del Toro

Sacrifice of the Children in Pan's Labyrinthby Barry Spector

  

Modern Mythology in Pop Culture first draft due

1. Mythology in Pop Culture presentation due next class

2. WatchPan's Labyrinthand complete the discussion by the usual standards and times.

 

7

The Supernatural, Nature and the Mundane

Where do I fit in?

  

The Mythic Imagination, introductory chapter fromThe Mythic Imagination: The Quest for Meaning through Personal Mythology by Stephen Larsen, 1996

  

Final Modern Mythology in Pop Culture due

1, Read The Mythic Imagination and post in the discussion. Please respond to two classmates by next class.

2. Journal #5- Dreams and Daydreams

For journal #5 and in exploration of next week's theme "Imaginative Powers", please write three short entries about either about your dreams or your daydreams.

 

8

Imaginative Power

A creative force

  

Hero Myths pp. 209 -268 inThe World of Mythby David Leeming

  

Each student will be assigned 3 hero myths for which you will answer only one question for each myth: What makes the hero "heroic"? Submit your posts to the discussionby Friday at 11:59 and responses to two classmates by next class. These myths are assigned randomly, but if you would like to switch with someone, just ask that person.

Task 2. Please submit a first draft of the Mythological Comparative Analysis.

 

9

The Hero Myths

The hero’s journey and beyond

  

"Other Heroes" excerpt fromBeyond Heroicsby Madeline L. McMurray

  

First draft Mythological Comparative Analysis due

Final draft of Mythological Comparative Analysis paper

Discussion Leadership next week is on vocabulary review!

 

10

The Sacred and the Profane

Ritual, rites of passage and the collective activities

    

Final Mythological Comparative Analysis due

 

11

Elementals

Earth, wind, fire, air, ether

    
 

12

Reading Symbols

Endowing meaning

    
 

13

The Feminine and Masculine Principles

Divine dance of paradox

    

Final project proposal due

 

14

Past, Present and Future

Transcendental time

    

First draft Mythological Storytelling Project due

 

15

A New World View?

Personal mythology

    

Mythological Storytelling Project due

 

Attendance Policy

Regular attendance and participation in classes are essential for success in and are completion requirements for courses at CCV. A student's failure to meet attendance requirements as specified in course descriptions will normally result in a non-satisfactory grade.

  • In general, missing more than 20% of a course due to absences, lateness or early departures may jeopardize a student's ability to earn a satisfactory final grade.
  • Attending an on-ground or synchronous course means a student appeared in the live classroom for at least a meaningful portion of a given class meeting. Attending an online course means a student posted a discussion forum response, completed a quiz or attempted some other academically required activity. Simply viewing a course item or module does not count as attendance.
  • Meeting the minimum attendance requirement for a course does not mean a student has satisfied the academic requirements for participation, which require students to go above and beyond simply attending a portion of the class. Faculty members will individually determine what constitutes participation in each course they teach and explain in their course descriptions how participation factors into a student's final grade.


Participation Expectations

Full participation requires active and thoughtful engagement in class each week. The following habits and skills are important. You'll have the opportunity to self-assess and receive instructor feedback on each of these areas at the mid-point and the end of the semester.

  • Attend class regularly, on-time and for the full session
  • Complete all of the week's reading and assignments before the start of class
  • Listen to others attentively and with an open mind
  • Positively contribute to class discussions and activities
  • Ask questions and seek help when you need it
  • Challenge yourself to do your best work


Missing & Late Work Policy

  • Assignments are due by the deadline noted on the syllabus, even when you need to be absent. However, extensions may be obtained if communicated to the instructor 24 hours prior to due date.
  • You are responsible for checking Canvas and getting any notes, materials and assignments for the class you missed. Please reach out and ask questions if anything is unclear.
  • Plan to complete homework for the next class meeting on time. Being absent is not an excuse for not completing any homework assigned that day.
  • In emergency situations, please communicate as early as you can with your instructor about the need to miss class and/or assignments.

Accessibility Services for Students with Disabilities:


CCV strives to mitigate barriers to course access for students with documented disabilities. To request accommodations, please
  1. Provide disability documentation to the Accessibility Coordinator at your academic center. https://ccv.edu/discover-resources/students-with-disabilities/
  2. Request an appointment to meet with accessibility coordinator to discuss your request and create an accommodation plan.
  3. Once created, students will share the accommodation plan with faculty. Please note, faculty cannot make disability accommodations outside of this process.


Academic Integrity


CCV has a commitment to honesty and excellence in academic work and expects the same from all students. Academic dishonesty, or cheating, can occur whenever you present -as your own work- something that you did not do. You can also be guilty of cheating if you help someone else cheat. Being unaware of what constitutes academic dishonesty (such as knowing what plagiarism is) does not absolve a student of the responsibility to be honest in his/her academic work. Academic dishonesty is taken very seriously and may lead to dismissal from the College.